FCKR JR. – “Frogs” | Premiere & Interview

FJRChicago’s slacker pop concern, FCKR JR. will issue their full length debut, I’m Sorry Mom and Dad on August 2nd. The quartet formed in 2017 and as last year came to a close they issued an impressive debut single Fog b/w Nine Inch Cakes. Helmed by Ben Grigg (Geronimo!, Future BiffWhelpwisher) FCKR JR. specialize in razor sharp melodies, substantial pop hooks, and liberal doses of guitar fuzz with intricate and engaging rhythms. Which are all on full display on I’m Sorry Mom and Dad’s opening track Frogs which we have the privileged of sharing today. In addition we recently caught up with Ben Grigg to discuss FCKR JR.’s forthcoming LP, his ongoing solo project, Whelpwisher and we even got him to share some of his favorite records of the year, so far.

The Ash Gray Proclamation: When writing how do you decide which songs will be released under the Whelpwisher moniker vs. FCKR JR.?

Ben Grigg: Well, I don’t really decide at that stage. I just like to write and record at home, those decisions don’t come into play until later. If a song turns out well and I’m feeling like doing a Whelpwisher release, then it’s a Whelpwisher song. However, I see anything Whelpwisher as fair game for FCKR JR. About half of FCKR JR’s songs started as something recorded under Whelpwisher. Since there really isn’t a live version of Whelpwisher, getting adopted by FCKR JR is the only way for a Whelpwisher song to be played Live.

The Ash Gray Proclamation: Speaking of FCKR JR. can you tell me a little bit about the new album you’re planning on releasing next month? 

Ben Grigg: This FCKR JR record is our first formal release, besides a 2 song EP we recorded in my basement. The songs are really the bulk of what we’ve been playing live for the past year and a half. A lot of them are as old as the band, and we have them pretty polished at this point. Some of them are brand new though. It was exciting to see how the new tracks sounded, fully realized. The tape was recorded at a small studio in Chicago called Burn the Furniture. I’ve not always had great experiences in formal studio environments, but we had a wonderful time at Burn the Furniture. It was really an ideal experience. We’re also super stoked for the record to come out on Born Yesterday Records (Glued, Landowner)! They’re great people and we love the other bands affiliated with the label. 

The AGP: Can you tell me about the plans to support the new album on the road?

Ben: We’re planning a short tour to the East Coast in August. About half the band has never toured before, so it’ll be a fun experience for them. Tour dates should be announced shortly.

The AGP: Last week you released a new Whelpwisher EP, Good Fortune. What was the creative process behind those sessions ?

Ben: I’ve been lucky enough to live at a place with a basement for the past 4 years or so. I’ve set up sort of a makeshift studio down there and had lots of time to learn about recording. Whelpwisher basically started at the end of Geronimo! as a way for me to write and record music on my own. I’ve learned quite a bit in those years. However, I’m moving to a new place at the end of July. I’ll also have a basement space there, so nothing will really change. However, I felt like I needed to record a few more songs here (at Boozy Grin) before moving. Good Fortune is basically a goodbye to Boozy Grin. My process for Good Fortune was the same as my process for almost anything Whelpwisher. More or less, I come home from work, eat something, then go downstairs and don’t come back up until I have a complete song recorded. I start with drums. I’ll just hit record, and play drums until I have something worked out that I think I can write a song over, thinking about where verses, choruses, and bridges should go. Then, I’ll either do bass or guitar next. Very little is thought through beforehand, with the exception of the occasional riff. I might just have a vibe I want to convey, and that’s it. For me, if I have to take longer than an evening on a song, I find that it just doesn’t go together right and it’s best to move on. Either the bones of it are going to work, or they aren’t. Occasionally I find that vocal melodies or lyrics should be revised after some time to reflect, but generally everything else can be done all in a night. For Good Fortune, I followed this routine for a few nights in a row and bingo! Here’s an EP! The only track that was done earlier was Enough. I had recorded that back in March, but didn’t know what to do with it at the time, or whether I even liked it. 

The AGP: My introduction to your music was through the now defunct Geronimo! The band ended in 2015, but you’ve continued to work with your former band mates Kelly Johnson and Matt Schwerin on a few occasions. Do you expect to collaborate on future projects with them?

Ben: Yeah, I’ve certainly been lucky to be able to play music with both Kelly and Matt Schwerin. After Geronimo!, I think we all wanted to branch out and find different people to play with. It wasn’t out of any bad blood post-Geronimo, just out of curiosity I think. We’d been playing together for 8 years or so and maybe just forgot what it was like to play with other people. Kelly went off to start Milked with some friends of ours, and I tried to start up something that later became Future Biff. After a while though, I think we both realized that it was just much better to keep playing together. It was just more fun that way. Plus, we were so used to anticipating each other musically and knew how to work off each other. Everything was easier together. Milked ended up being the same lineup as Geronimo!, as did Future Biff, plus the addition of Ryan Wizniak(Meat Wave). Kelly even came to some FCKR JR practices early on, but his move to Eugene, Oregon was already looming, so he bowed out. I still play with Matt Schwerin in Deathsnack. I’d certainly love to play with Kelly again some day if geography allows, but for now, that’s not really a possibility.

The AGP: At the mid-year point it seems that everyone is sharing there favorite albums of 2019. Would you like to share some of your favorites of the year, so far ?

Ben: Yeah of course! I don’t digest music with the speed I’d like to, so I tend to listen to something over and over once I get it and not branch out too much. It makes it hard to really dive in to a lot or records, but these are the 2019 records I’ve been listening to so far (in no particular order):

Shady BugLemon Lime
GluedCool Evil
LomeldaM for Empathy
PileGreen and Gray

The AGP: Can you tell me a little bit about Frogs and the transformation it took from being a Whelpwisher to a full fledged FCKR JR. composition?
 
Ben: Frogs was a song I wrote in the fall of 2017. I just liked the simplicity of the chords and progression. It had a Dinosaur Jr./Ovlov vibe to it. The lyrics are about dealing with mental health issues. I don’t feel that I have been dealt a particularly bad hand in that regard, but I do get pretty down sometimes, to the point where I don’t want to feel better and begin to associate these feelings with “the real me”, which is of course total bullshit. I used frogs living inside my head as a way to separate these negative thoughts and depression from me, e.g. these thoughts aren’t me, it’s just those frogs again. 
 
Another fun story is that I had everything but the solo done on the Whelpwisher version and my friend Kelly Johnson (Geronimo!, Milked) came over. We were on our way to a party or a friends house or something and had about 15 minutes before we had to leave. I asked him, “hey, do you want to rip a guitar solo real quick?” He very kindly agreed and come down to the basement to record the solo on Frogs. It took all of 5 minutes, I really love how that turned out.
 
Frogs was the first song FCKR JR learned and started playing live. I think it was my favorite Whelpwisher song I had at the time, and seemed like an easy one to show everybody. It’s been fun seeing it evolve from my Whelpwisher demo to now. It’s picked up in tempo and Liz Bustamante is a far more creative and competent drummer than me. She’s added a lot of great details. Emily Wrong also added some really cool guitar dives throughout the song that I love, and Emily Bean rewrote the bass part. It’s sweet. I tried not to rip Kelly off too much in the solo, but I probably did, ha ha. I’m no Kelly Johnson. It’s also the first song we ever performed live. We played it at a kooky public access TV show, it was the first thing we ever did live as a band. We had to call ourselves “Effer Jr” for the show though, since it was on TV.
 
 

https://www.youtube.com/watch?v=d8w8KufY3XA Linked: Fckr Jr.| Whelpwisher| Future Biff

[New Track] Milked – Dialudid

Milked bioMilked, the Eugene, OR via Chicago noise pop concern featuring former members of the late great, Geronimo! are set to return with a new album, Crawling Passed on September 28th. The new set was recorded last year in Chicago By Kelly Johnson and frequent collaborators Matt Schwerin and Ben Grigg and follows up their superb 2017 release Death On Mars which landed on our best of 2017 list and was reviewed here. The 12 tracks that occupy Crawling Passed were recorded just prior to Kelly Johnson’s relocation to the Pacific Northwest, so it’s unclear whether the band will tour behind the new LP, but we’re sure as hell gonna keep our fingers crossed. Milked have offered a preview of what to come with the plaintive and anthemic, Dialudid off the forthcoming LP. Stream it below.

Milked LP
[Stream] Milked – Dialudid

No more posts.