Review: Guided By Voices – Earth Man Blues [Rockathon]

Today marks the release of the 33rd album from Dayton, OH indie legends, Guided By Voices and the 10th in 4 years from the lineup of Robert Pollard, Doug Gillard, Kevin March, Mark Shue, Bobby Bare Jr., and producer Travis Harrison. Now that we’ve dispensed of the statistics let’s dig into the utter magnificence of Earth Man Blues. The album is tied together with the loose concept of a rock opera that takes place at the John H. Morrison Elementary School and consists of material that Robert Pollard wrote in recent years but, for one reason or another never included in the recent recording sessions or the bands output, until now.

On my very first listen I was struck by each of the 15 tracks that occupy Earth Man Blues, some of which I connected with immediately while others took more time to reveal themselves. I’m not sure if I would classify the album as a grower due to Pollard’s striking pop sensibilities throughout, but on each and every listen I discover something new and enthralling to latch onto. Let us skip the comparison to the bands revered back catalog and allow Earth Man Blues stand on it’s merit. Made Man opens the album with a bit of swagger and manages to make full use of all 1:12 seconds, while making a strong case for brevity with  twin guitar crunch, pop hooks, and a gorgeous albeit concise string section. Dirty Kid School is a minor curveball in terms of the GBV aesthetic, but when the rockabilly punk rave up hits, it hits hard. The track contains one of a few effective interludes found throughout the LP which adds an element of psychedelia and experimentation before Gillard’s insanely catchy riff returns and the listener has been transported back to the hallways of the aforementioned learning institution. Elsewhere, the band delivers one of the albums high water marks with Lights Out in Memphis (Egypt), a progish number, skillfully balanced with some the album’s finest pop hooks. That track also provides another how the hell does he do it moment, with the line “trained alien sales reps for aluminum can Siberia” Earth Man Blues flies by in no time and before you know it you’re already 7 songs in before another EMB stand out and my current favorite of the set, Sunshine Girl Hello arrives with an intro and coda that sounds as if culled from one of Bob’s suitcases during a Monkees/Herman Hermits phase, then quickly switching gears with chugging chords, sublime leads, and a gorgeous chorus. When the band returns to the Live setting I imagine Ant Repellent will be a new staple of the set, the track features a sinister chorus/chant, a Mark Shue buoyant bassline with Pollard delivering a stunning vocal hook near the end of the track. The one-two punch of the strange yet stunning, How Can A Plumb Be Perfected? a song that exudes Pollard’s penchant for stirring melancholic ruminations and Child’s Play, a track that to my ears could’ve worked just as well as an opening and ends the album on a euphoric high note.

Who would blame you dear reader, if you greeted the above claims with a raised brow or even a bit of skepticism, because although this current run that started with 2017’s August By Cake has been quite impressive, with each new release there are inevitable claims from casual and obsessive fans alike, myself include who suggest that GBV’s latest offering is to be its creators finest hour. But, with Earth Man Blues there is something different at work, something completely compelling and unique, more so than any of their recent recordings. Although this isnt an album of reinvention its one that finds an artist 38 years into an venerable career continuing to push limits and create vital art on his own terms. Earth Man Blues is a singular and exquisite artistic achievement which further illuminates Robert Pollard’s unparallel songcraft as well as GBV’s adroit musicianship.

Earth Man Blues is available now through Rockathon

Review: Guided By Voices – Sweating The Plague

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For someone that has lived with this the 3rd LP of 2019 from Dayton, OH indie rock luminaries, Guided By Voices since last summer, I sure took my sweet ass time getting around to submitting my unsolicited evaluation. Before I dive in, allow me to digress on a personal note. 2019 has been a tough year for me personally with plenty of ups and downs, with a whole lot of uncertainty as to what the future will hold. So, for this to be the year for my beloved Guided By Voices to deliver three LP’s, It’s not an overstatement to write the following: these albums and the songs that occupy them couldn’t have been released into the world at a better time. In February Robert Pollard and co. kicked off the year with the exceptional 32-track double album, Zeppelin Over China, the hook fest that is Warp and Woof was delivered in April, and last month the band issued their most concise outing since 1987’s , Sandbox with Sweating The Plague. Has anyone ever started review with a thank you? I suppose it doesn’t bode well for objectivity but then again, this blog is in fact named after a Robert Pollard song and after 13 years I feel like you should know what to expect by now. The point I’m struggling to make here is that there is catharsis in music, and it doesn’t necessarily have to be heart on your sleeve confessionalism or cry in your pillow emo, not that there’s anything wrong with that, when executed correctly, of course. The 68 songs that Bob and Guided By Voices unleashed into the world this year gave me something to cling to when I felt like things were slipping from my grasp and when I needed them most, so I am forever grateful for that and for this band I have obsessed over since 1994. Now that I have that off my chest lets proceed headlong into Sweating The Plague.

Unlike last spring’s immediately accessible and infectious Warp and Woof, Sweating The Plague takes a more subtle approach and reveals itself over repeated listens. Not to say there aren’t a handful of instant earworms within. For instance, both Street Party and Ego Central High come charging out the gate with mammoth hooks and stunning melodies. There are still days when I wake up with the latter’s chorus “Find your elevation while you can” bouncing around my head. A fine way to drag oneself out of bed and face the challenge of a brightening new day. Plague’s radio ready, should be hit (if radio didn’t completely suck), Heavy Like The World is a stunning pop song that only Bob Pollard could write and then re-write. The re-recording of The Suitcase 2 gem, I’d Choose You, is the gorgeous centerpiece of Sweating The Plague. Last May I was standing next to the person that will soon be my x-wife at The Paradise in Boston as Doug Gillard began to play the songs opening chords when I caught that look, you know the look, the why are you freaking out look? I was having a moment that will forever be connected to that song. I attempted to explain, turning to her to say it’s I’d choose you! It’s on Suitcase 2! She just nodded, smiled and pretended to care. Before long I realized it wasn’t what I thought it was, it was even better. From that moment on the that balcony with a big part of my past that song instantly became the anthem of an excruciating year, but one that delivered more hope through melancholy and beautiful melodies than anything I’d heard before.
“Heavy like the words on your tattoos”.

Considering the bands output, especially this year, us Guided By Voices fans certainly are a spoiled and lucky lot. Any concern over the albums shorter track listing quickly subsided after spending time with these 12 songs. The line-up of Doug Gillard, Bobby Bare Jr., Mark Shue, and Kevin March continue to shine supplying varied and adroit instrumentation throughout to complement an exceptional song cycle with not one skippable track in the set. Sweating The Plague never loses momentum, in fact as of late I’m completely stuck on the albums final three tracks, with the infectious and anthemic Immortals, My Wrestling Days Are Over which features the band playing along with Bob’s demo giving the track a decidedly lo-fi feel, and my current favorite of the LP, Sons of the Beard, a fantastic multi-part and epic prog rock track, complete with strings and a liberal dose of synth that Keith Emerson would be down with. It’s been a marquee year for Guided By Voices with each of their three releases being as vital and unique as the next but with Sweating The Plague, Guided By Voices delivered something special, an album that is equal parts dense, subtle, and completely exhilarating. Some albums hold extra meaning because they help you get through the hard shit and some albums are special because they contain great songs that stick with you long after the record stops spinning, for me Sweating The Plague is both.

Sweating The Plague can be obtained at Rockathon Records/The Factory Of Raw Essentials